The Most Satisfying Proportion In Todays Design Philosophy Essay

The Most Satisfying residuum In Todays Design Philosophy shewWhat is the most satisfying proportion in today design? The Greeks thought they knew. Their temples were designed according to true rules relating to the meretricious section. (Which is what we, layman, know as the Divine Proportion, the halcyon Proportion, the princely Number or even the palmy hat Mean.) In the 13th century, Fibonnaci, an Italian mathematician, put it all down on paper. He said, the golden section or perfect proportion was 0.618034 to 1 (about 5 to 8). The Parthenon (a temple in the Athenian Acropolis that the Greeks built, dedicated to the Greek goddess Athena) fits into Fibonnacis well-disposed rectangle. Incidentally, so do the pyramids at Giza. Does this make the specious proportion a necessity rule to see in design?In the 16th century, Leonardo Da Vinci wrote a keep back on geometric recreations called Divine Proportion. In 1948 Le Cobusier also wrote a book on numeral proportioning. Oth ers who deplete benefited this ratio atomic number 18 biologists, artists, psychologists and even mystics admit pondered and debated on the basis of ubiquity and appeal. It is fair to verbalize that the Golden dimension has inspired thinkers of all disciplines like no other numbers in the tarradiddle of mathematics.Throughout the generations, numerous architects have also searched for the golden rule of design, thinking that it is that of the Golden dimension. However, their search is faraway from over. This is beca aim mathematics alvirtuoso will not tell you what the most eye-pleasing proportion for a grammatical constructions structure is. Proportion moldiness be generically correct and determined by the life sentence of the material. In other words, it is sensation thing for st oneness, another for concrete, and something else for steel. This, we would discuss further in another segment. Present technology has also presumptuousness architects and engineers unlimite d range to compose new forms of design and exciting spaces.My stand is that the Golden ratio is an chief(prenominal) aspect in designing a building but it is not the most crucial. Be locations having proportion in a building, sourality is also important. A creative design through the creative intuition of a designer will make the building outstanding.Renaissance PeriodThe Golden Ratio is related to many things in the piece today, not only during the multiplication of Renaissance, LeCobusier and Alberti. It exists in architecture, art, music, design and even fashion.Since Renaissance, many artists and architects have proportioned their works to the Golden Ratio, especially in the form of golden rectangle, in which the ratio of the longer side to the shorter in the GR, causing this proportion to be aesthetically pleasing. Mathematicians have studied this because of its unique and interesting properties applying it to geometry.Since then, it has heart-to-heart up doors for me how I view design and architecture and how it balances harmony to architecture design in this advanced(a) font world.Others who have benefited this ratio are biologists, artists, psychologists and even mystics have pondered and debated on the basis of ubiquity and appeal. It is fair to assign that the Golden Ratio has inspired thinkers of all disciplines like no other numbers in the recital of mathematics.BodyPresence of Golden RatioContribution of the Golden Ratio in architectural designsLe Corbusier is said to have contributed to many modern international style architecture, centering on harmony and proportion. Its trustfulness in the mathematical order was closely bound by the GR and the Fibonacci series. He uses the GR in his modulor establishment for the outdo of architectural proportion. He saw this system as a continuation of the long tradition of Vitruvius, and others who apply the proportions of the pitying body, to improve the appearance and function of architecture.In addition to Golden Ratio, Le Corbusier based the system on gay measurements, Fibonacci numbers and the double unit. He took Leonardos suggestion of the Great Ratio in human proportions to an extreme, he sectioned his model human bodys height at the navel with the two sections in the Golden Ratio, then subdivided those sections in Golden Ratio at the knees and throat he used these Golden Ratio proportions in the Modulor system. The Villa Stein in Garches exemplified the Modular system. The Villas immaterial ground, elevation and inner structure closely uncut golden rectangles.Fractal Dimensions in modern architectureRecently, fractal dimensions have been calculated to be used frequently for outspoken Lloyd Wrights and Le Corbusiers buildings. It fecal matter be found that both architects use the method of increasingly smaller rectangular grids. rough Lloyd Wrights buildings dis diarrhea a self-similar characteristic over a wide range of scales (far and spaced versus little sm all sizes), so those buildings are intrinsically fractal. However for this specific project, Wright was following the brilliant example of his teacher, Louis Sullivan.By contrast, Le Corbusiers architecture displays a characteristic over only two or three of the largest scales. In more than detail, Le Corbusiers architecture is flat and straight, and thitherfore has no fractal qualities.A fractal dimension between one and two characterizes a design that has an infinite number of self-similar levels of scale, whereas the fractal dimension of Le Corbusiers buildings immediately drops to one. (Bovill, 1996. Salingaros, 1999.)The Golden Ratio as seen in paintingLeonardo da Vincis illustrated yet another divine proportion in the infamous painting of Mona Lisa. Other equally well known painting which has made use of the Golden Ratio is The Sacrament of the Last Supper by Salvador Dali.The Golden Ratio as seen in our natural worldThe Golden Ratio is expressed in the arrangement of branche s along the stems of plants and of veins in leaves and even to the skeletons of animals including their veins and nerves, to the proportions of chemical compounds and the geometry of crystals, to the use of proportion in artistic endeavours.From this, the Golden Ratio has become a universal law in strive to create completeness and beauty, with both nature and art, in structure, forms and proportions, organic and inorganic, in the human form.According to Volkmar Weiss and Harold Weiss the Golden Ratio also affects the clock cycle of brain waves, known as psychometric data.Relevance in Present TimesModernising the Traditional Intimate Relationship Between Architecture and MathematicsThe traditional advise relationship between architecture and mathematics has changed in the 20th century.Architecture students no longer requirement to have a mathematical background according to the article Architecture, Patterns and Mathematics by Nikos Salingaros.It may be promoting an anti-mathematic al soulset. Mathematics is a science of patterns, the presence or absence of patterns in our surroundings act upons how easily one grasp the concepts that rely on patterns. However, it has been seen that an increase in technological advances, rather especially in the celestial sphere of environmental detailors, has made mathematics almost redundant in architecture.Environmental psychologists know that our surroundings influence the way we think, so if we are raised in an anti-mathematical environment, then we would deem to subscribe more human qualities. This is not an argument about preferences or styles, it concerns more about a trained functionality of the human mindAn example to illustrate the meaning of functionality in the human mind is made by Christopher Alexander wherethe urgency for lights from two sides of a room a well-defined entrance interaction of footpaths and car roads pecking order of privacy in different rooms of a house and etc. It speaks about specific bui lding types, about building blocks that can be combined in an infinite number of ways.This implies a more mathematical and combinatoric approach to design in general. Alexandrine patterns represent solutions which repeat itself in time and space, thus relating to visual patterns transforming into other dimensions.A new concept extreme ArchitectureIn recent years, there has been a shift in architecture looking away from GR to other ways in which design can til now have a sense of proportion by looking at nature for intake the term given is Organic Architecture.The term organic architecture was coined by the famous modern architect, Frank Lloyd Wright (1867-1959), though never well expressed by his cryptic style of writingSo here I stand before you preaching organic architecture declaring organic architecture to be the modern ideal and the teaching so untold needed if we are to see the whole of life, and to now coiffure the whole of life, holding no traditions essential to the g reat TRADITION. Nor cherishing any preconceived form fixing upon us either past, present or future, but instead exalting the simple laws of common sense or of super-sense if you prefer determining form by way of the nature of materials Frank Lloyd Wright, written in 1939.Rules of Organic ArchitectureArchitect and planner David Pearson proposed a list of rules towards the design of organic architecture. These rules are known as the Gaia Charter for organic architecture and design. It readsLet the Designbe inspired by nature and be sustainable, healthy, conserving, and diverse.unfold, like an organism, from the seed within.exist in the continuous present and begin again and again.follow the flows and be flexible and adaptable.satisfy social, physical, and spiritual needs.grow out of the site and be unique.celebrate the spirit of youth, play and surprise.express the rhythm of music and the power of dance(Pearson, 2001)While Organic Architecture does mark some form of individuality, i t also expresses our need to connect the designs, we create, to Nature.Using Nature as a wakeless for design, from there a building or design must grow, as Nature grows, from the inside out. numerous architects design their buildings as that similar to a shell and force their way inside. Nature grows from the idea of a seed and reaches out to its surroundings. A building thus, is akin to an organism and mirrors the beauty and complexity of Nature.Where the Golden Ratio Fits InHowever, in the research that I have done on this topic, many of the historic scholars who utilise their entire lives to studying the GR has always studied nature for inspiration and they derived the GR from nature itself. Modern architects who claim to impact away from the GR as it is too conformist and look towards nature for their inspiration for proportion instead still end up following the GR as it was from studying nature that led to the discovery of GR. Hence the continue relevance of GR in todays a rchitecture.How the Golden Ratio is evident in our everyday livesThe Golden Ratio seen in MusicRhythm is everywhere in nature, at every scale from cosmic phenomena to the oscillations of atoms. Our every mobile phone has its own clock, governing its own repetitive rhythms. Time itself, once measured by the motion of earth, temperateness and stars, is now defined, less memorably, as 9,192,631,770 oscillations of a single atom of an obscure metal. At the scale of the biosphere, the fidelity of replication in the genetic system is such that no more than about 200 errors are made in copying the 300 million bases strung into the chromosomes that hoard the design of our bodies. Without those errors, however, there could be no change and so no evolution.With this is mind, we shall now look at how rhythm ties in with the GR. practically of the rhythm and movement and design of our bodies and normal everyday life experiences all tie in with the Golden Ratio, how we perceive an object and whether we find it pleasing all goes back to the Golden Ratio. Because it is the one of the universal constants that take on for the interactions between all things on earth, it continues to hold relevance in our lives, regardless of the advancements in technology, which in fact is actually discovering more and more how life and design is so intimately associated with the Golden Ratio.Architectural turn up of the Golden RatioTake a look at modern architecture and you will presently realize that the last decades have produced an increasing number of buildings with exotic shapes. Of course, also in earlier times the design of buildings has been influenced by mathematical ideas regarding, for instance, symmetry. Both historical and modern developments show that mathematics can play an important role, ranging from appropriate descriptions of designs to guiding the designers intuition.C Case studyCase training One res publica Poly Technology of Singapore by Fumihiko MakiFumihiko Mak i designed the new campus attempting to preserve the green qualities and the topography of the original site introducing decorate elements that contrast with the natural widerness and strengthen the sense of place based on Golden Ratio.Case Study Two Palladios Villa Rotunda.The Villa Rotonda is symmetrical on all axes, including diagonals. Any architect will tellyou this is firm to do, much less sell to a client even Palladio only did it once, probably just to see if he could. Palladio based his design on simple progressions in the Fibonacci series leading to the Golden Mean. This is also hard to do.Case Study Three Taj MahaiIn India, the Golden Mean was used in the construction of the Taj Mahal, which was faultless in 1648. http//archgeom.blogspot.com/2010/03/golden-section-in-taj-mahal.htmlCase Study Four CN Tower in TorontoThe CN Tower in Toronto, the tallest tower and detached structure in the world, has contains the golden ratio in its design. The ratio of observation deck at 342 meters to the descend height of 553.33 is 0.618 or phi, the reciprocal of PhiCase Study Five California Polytechnic State UniversityThe College of engineering science at the have plans for a new Engineering Plaza based on the Fibonacci numbers.4.2. What I have perceived until this momentIn my analysis, GR forms the basis of go outing of architecture, however it is not the entirety. Because form follow function, function plays an important part of the architectural design because without understanding the functionally of form, it is not possible to develop a building of good use, for example a good architect must be able to understand the utility of function.For example,the architect must know how many rooms a house needs, whether a fluent pool is required or a badminton court needed. After a form is selected and function must go beyond the concerns of biotechnical materialism.The creative architects must go beyond utility technical knowledge to an awareness of experient ial associations and symbolic meanings that lies behind the visible form. Beauty in design is not guaranteed when all of the to a higher place is satisfied. Some intuition is required by the architect and an outstanding design depends also in cleverness and intuition with functionality.Therefore, the great architect of age and every culture, the basis of which is mathematical.