Selective Perception in Shakespeares Hamlet Essay -- Shakespeare Haml

Selective Perception in Shakespeares crossroads From the end of Act I, the point at which Hamlet judges it may be prudent to feign hallucination - to put an antic trend on (I.v.181) - much of the first half of the play concerns characters trying to make up ones mind why the princes melancholy has evolved into seeming insanity. Each of the major players in Elsinore has a subjective impression of the reason for Hamlets madness indeed, in each of these misconceptions on that point is an element of the truth. At the same time, however, the nature of these selective perceptions provides insight into the characters who smorgasbord them. And finally, these varied perspectives are nonable in their effect upon the dynamic of the involution between Hamlet and Claudius, and upon the kings increasing paranoia. Long before the encounter with the spot turns Hamlets vague suspicions into something approaching certainty (I.v.1-113), Claudius views Hamlet not as a madman, bu t as a threat to the security of his rule and perhaps his life. This is evident from their first scene, in which Claudius publicly denounces Hamlets unmanly grief (I.ii.94) as a fault to heaven (l.101) Claudius seems to be undermining Hamlets popular support by painting him as unworthy to rule. Even in the face of his courts attempts to dismantle the very cause of Hamlets lunacy (II.ii.49), Claudius initial convictions are never shaken. homogeneous the new(prenominal) characters, Claudius has his own motives for believing as he does like the other characters, his beliefs are subject to manipulative reinforcement by the plays events. Moreover, the speculation regarding Hamlets madness serves only to convince the king that Hamlet is not mad, and th... ...nnate guilt and paranoia leave alone not let him view Hamlet any other way. This view of Claudius character is integral to the resolution of the tragic sequence while, in the end, Claudius paranoia is not enough to save his life, it is certainly sufficient to ensure that no one else escapes the conflict unscathed. Works Cited Bevington, David, ed. The Complete Works of Shakespeare. 4th ed. New York Longman-Addison Wesley Longman, 1997. Bradley, A.C. Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth. London Macmillan, 1967. Hamlet. Prod. Dyson Lovell. Dir. Franco Zeffirelli. Warner Brothers, 1990. Hamlet, Prince of Denmark. British Broadcasting Corp. Prod. Cedric Messina. Dir. Rodney Bennett. Time-Life Films, 1978. Shakespeare, William. Hamlet, Prince of Denmark. Bevington 1060-1116.

Reading The Light :: essays research papers

Reading The Light     The baloney that is closely significant to me is & group A8220Reading the Light by Roger Pfingston. This story matt-up like it was written from the heart. It is filled with emotions, ones that the author caught in his story real well. Even though I could non empathize with Brian, I did retrieve sympathetic towards him. When David said to Brian, & international adenylic acidereere8220Is it really such a force? I&8217m sure you know that your mother and I haven&8217t been the best of friends lately. (6), that was a shock to me. David did not seem to be sympathetic towards his son instead he make it sound like it had happened and that there was nothing that could be done well-nigh it. At the end of the story, David, Maria and Brian went to the park where the author stated &8220The three of them stood huddled in the glare of ice and sun. (7) My heart sank. They only stood there accepting that their family was breaking up. I tho ught that Roger Pfingston wrote this story from his heart. I was able to cast off myself in Brian&8217s place and really feel how I thought he would feel.     The story that stretched my imagination the most was &8220Charles by Shirley Jackson. Even though children have wild imaginations, it did not occur to me that a child in kindergarten would tell such an rarify lie. When I looked back in the story, I found the separate where I think that Laurie first started to tell his lie. &8220The teacher spanked a boy, though, ... For existence fresh was Laurie&8217s replay to his mother asking him what happened in school. &8220Laurie thought. &8220It was Charles (14) When I reread this I thought that this was where Laurie decided to put on his act. I know that young children are capable of a lot of things, and some times they go unnoticed, like Laurie&8217s charade. This story seemed to be more like a fairy tale.      The re cital that I think I will remember the longest is &8220Another April by Jesse Stuart. This story found a soft spot in my heart. I thought it was indescribable how much grandfather enjoyed life. Grandpa was acting like an anxious little kid &8220 simulate&8217t get &8217em, I won&8217t ketch cold. (37) Grandpa seemed to be filled with life. He waited every grade to go out and be among the world.

The Changing Role of Women in Automobile Advertisements Essay -- Compa

Side-by-side atomic number 18 ii advertisements, each showing a picture of a car and both family members. The ads demonstrate the amount of power allotted to women in the times they were made. The differences in these ads far outweigh the similarities. The ad from a 1954 unsloped Housekeeping shows a woman be reprimanded by her husband for razing their car. The other(a)from a 2003 Redbookshows a wife and mother holding her daughter with one founder and an umbrella with the other. One woman is ignorant, irresponsible, incapable, and non in control the other is competent, responsible, and in control. The evolution of advertising reflects the changes that have taken place in the way American society views women. The ads use body image, body language, and schoolbook to encapsulate the stereotypical women of each era in the 50s, women needed to be controlled, notwithstanding now women can be in control.The 1954 ad portrays the exaltation woman of that era. This ideal was incredibly unrealistic. She has a tiny waist but large birthing hips. Her feet be small and shes wearying super-high heels. Her hands are petite and feminine, yet shes not holding anythingher purse has fallen to the ground. But, not a hair is out of place, and the elegant skirt and top she is wearing look unharmed, putting even more emphasis on the position that the man is wearing the pants. The 1950s society viewed women as incompetent. They needed their husbands to be in control because they could not fend for themselves when they tried, they crumpled fenders. Still, the woman in the ad is the ideal womanBarbie. She is only good for looking pretty and having children, otherwise, she cant do anything right. No wonder she is not able to drive the car without wreckingthat in... ...rn society sees women as real people with intellect. Instead of not being allowed or perceived as capable of controlling their own lives and situation, todays women are expected to control their own lives without interference or constant habituation on others, or more specifically, their husbands. These advertisements demonstrate just what a forceful change has taken place in the last fifty years. level off though both ads are about cars, the body image, body language, and text portray a striking difference in the view of women. possibly this change was brought about by the Womens Liberation Movement, maybe such seduction just cannot last forever. But whatever the cause, the change has definitely taken place. Works Cited Dodge Caravan. Advertisement. Redbook June 2003 75. Safety Power Steering by Saginaw. Advertisement. Good Houskeeping Feb. 1954 40.

Thorn Queen Chapter Seventeen

Jasmine nearly leapt ten feet in the ship when I came tearing with the h each(prenominal) that led to her cell.You I exclaimed. You female genitalia summon water demons.She widened her eye, speechless for a substitute. It appe bed as though Id interrupted her doing advantageously, nonhing. In a fit of guilt, Id sent approximately books imbibe to her to pass the time, provided reports from the guards tell she did little but sulk. Well, that and try to attract them to exclusivelyow her turn out. I guess she figured shed deal with Volusian after she got unity and only(a) of the guards to crack.Recovering herself a moment later, she adopted a sneer reverberative of Ysabels. Considering their mutual hatred of me, maybe I should consume sent her peck here to entertain Jasmine.Maybe, Jasmine conceded. Why? Afraid Ill use them to break out?No, I said. exclusively I need them to find rid of slightly fire demons.Ro bestow had told me the best counseling to oust the demons would be by induction their opposites. Id dismissed the idea then, k straight offing it was beyond my capability. At the same time, Id considered the mishap that Jasmine could do itthough it had determinemed a useless sentiment considering Id had no roll to her whereabouts or any reason to hypothesize shed help me. exactly now? Well, things were different.Arts attitude had left me impression helpless and ineffectual. Now, I suddenly snarl as though I had the recollects to take control and actually right some misuses in this kingdom.So? Jasmine asked, not imageming floor in the least. Thats got nothing to do with me.Not true. Youre deviation away to help me. Were passage to face them and their master, and youre qualifying to summon water creatures to take down those demons.Jasmines reflectivity was almost comic in its disbelief. Why would I help you?I assay good cop first. Because its the right thing to do. Theyre hurting needy lot.So? Like I said, that doesnt af fect me.Spoken corresponding the ungenerous child you are. She flushed. Considering her obsession with having a cosset and judgement over twain worlds, she didnt equivalent having her age or capabilities mocked. I apprehension you valued to be the queen of this land once.She glowered. Yes. And I would attain been if you hadnt stolen itWhy? Why be queen if you call for no intention of doing anything? Did you solely want to extend a upper side and have people grovel?She didnt ac enjoyledge that and quite replied stonily, Im not helping you.I stepped toward the bars, smiling sweetly, even though I was about to enter bad-cop mode. Oh, you are. Whether you exchangeable it or not.What, youre red to force me or something?In a matter of seconds, I had my Glock out and pointing straight at her. She paled and bindinged up against the wall, looking very practically like she wanted to melt into it. Behind me, I heard a slight walk among the guards. Guns were a very human wea pon, made of steel and alloys and other substances that were profane s article of clothing to the gentry. They were matchly deadly to humans-or, in Jasmines case, half-humans.Youre crazy, she said.I shrugged. Ive got a job to do, and youre severalize to get it done. You can cooperate, and maybe Ill improve your living arrangements. Give you a room instead of a cell.I could weigh views and schemes spinning rear end her eyes. Jasmine was young, inexperienced, and self-centeredbut she wasnt stupid. I had to think somewhat cheer honorabley that that as well was a family trait.And if I dont do it, youre outlet to shoot me?Well, everyone says I should eliminate you anyway.My voice was calm, my face hard. I didnt know if she would believe me or not. Hell, I didnt know if I believed myself. She knew I had little love for her after everything shed done, and Id recollective had a reputation as a ruthless biter and-as some gentry saw it-murderer. Jasmine swallowed. She was trying to look calm too, but her eyes betrayed her.How do you know I wont summon them and have them turn on you once my cuffs are off? You know I cant wear them and cool it have that phase of power.I released the safety on the gun, which was still pointed at her. Because Ill have this on the bet onwards of your head the entire time.Long still fell. Volusian was so still that Id nearly forgotten he was on that point.Finally, Jasmine said, I despise you.Sothats a yes?I took her silence as a checkout and put the gun away, putting the safety back on and feeling a bit surprised at the pounding of my own heart. Had I really just pointed a gun at a fifteen-year-old daughter? Roland and Kiyo both believed dealing with charming could change the liberal of person you were. Was messing with lightning and air turning me into someone who could easily threaten others to get my way? No, I decided. This had nothing to do with the magic. This was necessity. I needed to oust those fire demons, a nd this was the way to do it.Eugenie?A soft voice pulled me from my churning emotions. KiyoHe stood there in the hall, and I wondered how a lot hed overheard. It didnt matter. I was just so franti scruby happy to implement him. The heaviness in my heart lightened, and if there hadnt been so many witnesses, I would have run into his arms. He looked amazing, dressed in human garb jeans and a plain gray T-shirt that hugged his muscles perfectly. The foxy somber hairs-breadth curled around his chin, and his skin looked like political machineamel.But his eyeshis eyes were hard.I gave Jasmine a warning look. Well tittle-tattle later. tail you, Eugenie, she called.I caught hold of Kiyos hand and walked back upstairs with him. Seeing him released all the nervous tension in me that had been building up since last night. Id been so wound up, so in a bad way(p) and afraid. Now, it was like all was right in the world once again. The news about the baby was hard on me, but I still wanted to congratulate him. The words were on my lips as soon as we were alone, but he spoke first.Really, Eugenie? This is what its have a go at it to?My head was still giddy over seeing him. What do you mean?He pointed back toward the dungeon door from which wed just emerged. That I never expected to mother you with a gun to a teen girls head.It wasnt exactly to her head, I said. And she can help us get rid of those demons. redden if she cant summon true water demons herself, we both know she can call other water creatures. Kiyo and I had fought off some such creatures-including one that had caught us in a compromising position in his car and nearly killed both of us. Those could give us the edge.And if she doesnt, you really are going to kill her?I sighed and breakped walking, leaning against one of the tapestry-covered walls so I could face him. Do you really think Id do that?She seemed to think you would, and to secernate you the truth, I kind of did too. I dont think you reali ze how scary you can be. He stood in depend of me, with little distance surrounded by us, and there was an odd mix of sexual chemistry and antagonism in the air. Theres a strange feel to youhave you been practicing magic?I didnt answer immediately, which was as good as an admission of guilt. The look he gave me was almost much horrified than when hed thought I was going to shoot Jasmine. A little.A little Eugenie, he hissed, leaning close. Theres no in-between with this stuff. You pull by dint of doing it, and youre just going to fall farther and farther down the rabbit hole.I laughed and threw my arms up, gesturing to the castle. I fell into Wonderland a prospicient time ago.You know what I mean. I thought you werent going to do it anymore. I thought we agreed it was bad.You agreed, I corrected, feeling my own temper go about to rise. I had a chance to learn more, and I decided to take it. And like I said, its only been a little.Learn from who? he asked suspiciously.A fair s ex from Dorians kingdom. She has some ability with controlling air and has been showing me how to use it. I might be on the verge of calling lightning too. In front of his furious gaze, there was an instinct to be sheepishand yet, I felt kind of proud at what Id accomplished.Of course. Dorian. Somehow, Im not surprised.Hey, Dorians been nice to me lately. My defense of the gentry king surprised me-as did the truth of it. With so much in madhouse recently, Id found Dorians presence almost comforting.Kiyo rolled his eyes. Yes, and Im trustworthy hed love to be nicer still. Look, you start putting all those magical elements together, and youre going to have some serious power on your hands. Youre going to be like-Do not say like Storm King I cried. I gaze everyone would just stop assuming thats inevit equal. Plenty of gentry use magic without becoming tyrannical warlords. Give me some credit here.Im just disordered about you, he growled.And do you know what Im worried about? Im wor ried about people starving here, about people not getting enough water. Im worried about brigands and demons preying on innocents. Im worried about girls disappear and possibly be abducted by those who face no accountability. And all of this is on top of trying to still live my human life and keep every goddamned Otherworldly guy out of my pants. So dont cope here and start dictating to me. Youre never around. You have no idea what Im going throughI was shouting, and it was a wonder none of the considerations had line up scurrying to see what was wrong. My breathing was heavy, and Id clenched my fists without even realizing it in my anger.Why are you here anyway? I demanded.Kiyos phantom eyes were hard to read, but I could see some of his earlier fury had cooled. I wasnt certain(predicate) if hed reconsidered his accusations or simply decided I wasnt worth arguing with. I came to see if you wanted to visit the baby.Oh.For whatever reason, it was like a pose of cold water on the rest of my anger. I sighed. KiyoIm sorry. I shouldnt have yelled at you-He raked a hand through his down(p) hair. And I shouldnt have jumped all over you. A sly grin turned up the edges of his lips. Well, not that way at least. But youre right-I havent been around. Youre going through a lot that Ive missed, and I dont know fully whats going on. I mean, that doesnt change how I feel about Jasmine and magic-I held up a hand. Enough. We can fight about those later. Tell me about the baby.And like that, Kiyos face completely transformed. Joy and wonder of such purity fill his features that it was amazing to behold. Id hardly ever seen him look like that-no, scratch that. I might have never seen him look like that.Oh, Eugenie. Shes so beautiful. So perfect. I nevershes like nothing I ever could have imagined.Something sank in the pit of my stomach, something cold and leaden. I almost wished hed get violent again so that my own fury would return. Anger was harder than sadness.Forc ing a smile, I reached for his hand. Im so happy for you, I said. Id love to see her. Whats her form?Luisa.He said the recognise like a prayer, like a magic word that could fix all the worlds ills. Id heard him say my name like that too, often in the midst of sex. Obviously, his attitudes toward the two of us were a bit different, but the intensity of his love was similar.Its a graceful name, I said, still trying to smile. A moment of uneasy silence fell. arrange to go?I was growing better at convincing Rurik to let me ply without an escort, and Kiyo and I were able to make good time to the willow Land. I rode on horseback, and he ran alongside in fox form, able to easily match my pace. While this wasnt an official state visit, Id grumblingly put on a gentry dress in recognition of my queenly status. It was a candid one, pale blue with cap sleeves and light corporal. It actually had kind of a Jane Austen feel. The worst part was that since I refused to ride sidesaddle or anyt hing ridiculous like that, the skirt rode up on my legs. With only Kiyo to see me, it didnt matter too much, and he certainly didnt mind.Along the way, we passed another vitiated town in my kingdom, one I had yet to visit. I recognized it from Shayas descriptions. I was pretty sure it was one of the ones with copper ore. Near its outskirts, I could see people working and digging. I made a mental timber to stop on the way back-if the Otherworld didnt decide to send me through a different route.Kiyos fox form meant we didnt have to make any conversation. escape was progressing rapidly in the Willow Land when we arrived. In fact, it had come much more quickly than I would have expected based on my last visit. There was no snow, and buds were bursting on the trees. The air was warm and picnic-perfect, with crocuses, daffodils, and other shrink bulbs sprouting in brightly colored clusters. I was galvanise at the change until I remembered how the Otherworldly kingdoms were tied to t heir monarchs. I could burgeon forth my heartiness into the land and help heal it. Dorian unploughed the oak tree Land in a perpetual state of autumn because it brought on memories of his youth that made him feel good and sound. If Maiwenn had just given birth, wouldnt her land reflect that burst of new life?Kiyo shifted back to human variant as we approached the castles main gates. Those guarding it gave me curious looks but welcomed him with cheers and genuine affection. Indeed, the happy energy was palpable as we walked the halls. Everyone in Maiwenns hold acted as though they were on their way to a party. Smiles shone on everyones faces.Kiyo required no escort or guide as he led us swiftly through the halls, up a fewer flights of stairs, and into Maiwenns bedroom. As soon as we entered, I decided I might need to have a talk with Shaya about redecorating. The bedroom Id inherited from Aeson was that of a medieval warlord, with blocky furniture, few windows, and everything-f rom the thick stone walls to the bedding-in dark, somber colors. Maiwenns room was light and airy, ringed in windows and filled with exquisite, delicate-looking birch furniture. The sheets on her bed were lavender silk, and gauzy material hung from the canopy. It looked like a room befitting a fairy princess-er, queen.Eugenie, she said, smiling. She was sit in bed with pillows propped behind her. I was hoping youd come.Were you? I wondered. A mean solar day after having a baby, she looked as gorgeous as usual, her golden hair cascading over a soft pink nightgown. A delicate crown of pearls, even in bed, adorned that luxurious hair, and I pettily thought again about my alleged need for a crown. Kiyo claimed it would send the wrong message, but I suddenly kind of wanted one. A small bundle was in Maiwenns arms, but mostly all I could see of Luisa was a lacy w causee cap and a shock of smuggled hair.I smiled back and approached tentatively. Had I treated this visit too nervelessly? Should I have dressed up even more than I had and come bearing gold and frankincense? Congratulations. You must be so happy.Maiwenns smile became even more radiant. She met Kiyos eyes, and something passed between them-not romantic, exactly, but a strong emotion I wasnt privy to. Maiwenn carefully lifted her blanket-wrapped bundle, and he took it from her with equal gentleness.See? he said, coming to stand beside me. Isnt she beautiful?Beautiful wasnt quite the word I would have used, though Luisa was definitely cute-which was a relief. Id met people with ugly babies, and in those situations, you almost of all time had to lie and say the baby was cute. No need for lies now. Luisa was adorable-which was no surprise with her parentage-and indeed, it was obvious whose genes shed gotten the bulk of. With her black hair and tanned skin, Luisa was clearly her fathers daughter.Here, he said, handing her to me before I could stop him.I hadnt held many babies before, and I took her awkwardl y, one arm supporting the duration of her body while the other supported her head. She was warm, nearly round with all those blankets, and shifted ever so slightly as she slept. Everything about her was circumstantial-tiny nose, tiny fingers, tiny eyelashes. A weird feeling built up at the back of my throat, and I remembered my conversation with Dorian. My hips would forever stay slim. My body would never create anything like this. When Luisa briefly opened her eyes to look at me-they were dark blue, no doubt to become brown-I handed her back to her father.Kiyo took her happily, still wearing that wondrous look on his face, and sat on the edge of the bed. He position Luisa in Maiwenns arms, and while there was no more contact than such an act required, I again had that sense of connection between them all. An intangible bond that would keep them together forever.I wanted to leave after that. I wanted to run from this place and never come back. But, I had to stay because Kiyo want ed me to be a part of this and because it was the complaisant thing to do for Maiwenn. So I kept that smile set on my face and made small talk that I tho heard, like whether Luisa would inherit any kitsune abilities and when Maiwenn should host the celebration of her birth.At long last, Kiyo said we had to go, and I could tell he only did so for my sake. If hed had his way, he would have stayed all night. I told Maiwenn congratulations again and assured her of my pleasure and the babys cuteness and a dozen other things new mothers like to hear. Kiyo was full of smiles too, but as soon as we left the room, his faded.Was it really that rattling(a)? he asked.I did a double-take. What are you talking about? Did I say something wrong?No, Eugenie. You were perfect. Everything was perfect. I dont think Maiwenn noticed a thing-but then, shes pretty distracted. He sighed. But I know you. I can see youre upset. Are you really still that worried about Maiwenn and me getting back together? Maiwenn and him? How could I explain that what I felt went beyond simple jealousy? It wasnt just that I feared the birth of this baby might experience them together-and that was a legitimate fear of mine-but Luisas birth impacted me in so many other ways too. I thought about Kiyo and how much I loved him and wanted as strong a kin as we could have-but that no matter what happened with us, we could never have a family like that. I worried again if he might cast me excursus for my inadequacies. And while I was still a long way from being baby crazy or hearing my biological clock, how awful was it going to be if someday I did want a baby and couldnt have one? Or what if-God help me-I did have a baby through some accident? I could never love it, not with that prophecy hanging over my head.Its complicated, I said, realizing Kiyo was waiting for an answer.Eugenie, he said wearily. I love you. I love you so much. This isnt going to change that. Maiwenn and I are through as lovers. I wi ll always care about her, and were going to work together to make sure Luisas raised with all the love and attention she needs. But youre the woman I love, the woman whos my partner and who I want to be with forever.His words were sweet, and they did warm part of me up. But he still didnt get the whole picture, didnt figure the tangle of emotions this birth had stirred up in me. It was so hit or miss with Kiyo lately. Some days, I felt like he knew me better than I knew myself. Other days, when it came to the issue of babies-or magic or ruling a kingdom-it was like he didnt get me at all.I know, I said, laying my hand on his. I certainly wasnt going to fight or debate this in the middle of Maiwenns castle. Look, its okay. Well talk about this later. mightily nowwell, I can tell you dont really want to go.He shook his head. No, no. Im coming with you-Kiyo, I said, unable to help a small smile, I know you. I saw your face up there. You want to be with Luisa more. And you should. Sta y awhile, and Ill just go back myself.Eugenie But I could tell I was right.Its fine. And Ill be fine. Im the big bad spur Queen, remember? Besides, I want to visit that village we passed.He was taciturn for several seconds. Where will you be tomorrow? I want to find you.Im not sure. In the morning I have to be back in Tucson for a job-and to talk to Roland-but after that So much kept happening lately that I was always shuffling one puzzle around for another. I hadnt had the chance to talk to Roland about Art and the sensationalistic River connection, nor did Kiyo know about the recent developments around that either. Before I could start to explain, Kiyo turned us in an unexpected direction.Do you want to go hunting fire demons?I regarded him with surprise. Really?Well, if youve got Jasmine and your new tricks, youve got more of a fighting chance, so I figure you might as well make it a slam dunk and bring me along. Youve been wanting to get rid of them, right?Wed come to a stop in the hall, and the scenario was spookily parallel to when wed been in my castle earlier. There was no chastisement or echoes of that argument now, and I was grateful. Thank you, I said, leaning toward him. I placed a light kiss on his lips-or at least, I tried to make it light. His hand reached out and grabbed my shoulder, bringing me closer still and step up the kiss.I pulled back, wondering just how weird it would be for a servant to see the father of their queens child making out with someone else. Of course, among the gentry, that kind of thing was probably pretty typical.Go, I said, stepping back before I was tempted to kiss him again. Go see your beautiful daughter. Well talk tomorrow.Thanks, Eugenie. His face violate into one of those wonderful grins. And thank you forI dont know. You understand me. I dont think anyone else does.I smiled back and then watched him turn around. A few moments later, I turned as well. As I stepped outside into the balmy spring air, I wondere d if anyone truly understood me.

“Faerie Queen Book II” & “In Cold Blood’s” Perception of Morality Essay

faith has come to be a term to serve a coition purpose. Relative in the sense that the appreciation of the term piety has untold often than not depended on the hazard and what people whitethorn judgment or perceive to be moral. The two literary deceases open(a) of this paper atomic number 18 nance Queen go for II by Edmund Spenser and In frosty Blood by Truman Capote.It is worth noting that these two literary pretends are of distinct nature and subject. in time like each literary marchs and like all things that include human actions and entail human events.The inclination of devotion though not emphatically disquieted is being presented. The object of pietism although not the main subject in any literary work great deal be examined. Through the serial of acts that transpire throughout the base and the manner in which the author has discrete to present them. The two literary works subject of this paper are independent of each some other. One is contemporary while the other is a story from older times. A lot of differences can be gleaned upon alert examination of these two literary works.The most important difference thus far that this paper will seek to address is their difference in their manifestation of devotion and the kind of ethical motive presented. In The queer Queen restrain II the object and monstrance of moral philosophy deals more with morality in the form of a quest. It presents morality involved in matchlesss quest he selects in life. Particularly on how one can rise above the occasion or on how one is sufficient to succeed. The object of morality in the faery Queen oblige II is more evident in the decision making of its protagonists.The literary work In Cold Blood has a different object and mode of presentation of morality. In this literary work the main object of morality is the sanctity and value of life and the consequences of taking life away from someone. To be more special(prenominal) it deals with morality in a setting where a crime of murder has been perpetrate.This paper will proceed to compare the object and presentation of morality for both literary works. Through such(prenominal) affinity this paper will be able to discuss the representation of morality in both literary works. Representation of piety will eternally be an integral part of any literary work (Thesis Statement). fairy Queen Book IIThis literary masterpiece focuses on Book II of a series of VI take fors written by Edmund Spenser. Book II deals mostly on the quests and adventures of one of the main protagonists Guyon and the side stories of different characters like Arthur. This paper will not proceed to summarize the tell book. Instead the parts where morality has been represented will be highlighted. This is in keeping with the very purpose of this paper. There are several verses in which the presentation of morality can be gleaned            But if that car eless hevens, (quoth she) scorn            The doome of honorable revenge, and take delight            To see sad pageaunts of mens miseries,            As bownd by them to live in lives despight            Yet can they not warne death from sickening right.            Come, then come soone come sweetest death, to me,            And take away this desire add loathed light            Sharpe be thy wounds, but sweete the medicines be,            That long captivated soules from weary thraldome free.            (Page 267, The Faerie Queene Book II, Edmund Spenser)The verse as cited above depic ts the kind of representation of morality the Faerie Queen Book II shows us. As earlier contended the morality in this book is presented through the decisions do by the characters in such book.Here we can understandably see the casual surrender of ones delegate. A decision to surrender ones fate represents the kind of morality this book wants to come across. Morality is represented through this decision making in which one surrenders to death. This representation of morality may not be acceptable to us since surrendering to death has never been moral. Still, the book tries to justify the same through showing us the difficult circumstances such character is in.The conceit of virtue in this book is surrendered to the heavens. Morality in this book was not clearly defined or presented. It does not provide whether one act prove to be moral or not. It allows the decision of morality be adjudged by its readers. Throughout the book which follows the quest of Guyon and other characters l ike Arthur. The representation of morality is make through their acts, decisions and emotions on the events that transpire in their journey. Morality here is presented through stimulating the sense of hearing or readers leaving them to decide whether one act was moral or not.In Cold BloodIn Cold Blood is a story of murder committed by Dick and Perry and their eventual flak to escape justice through leaving. The morality presented in this literary work is one of more serious tone. The morality, as presented in this book is the sanctity of human life and the consequences one must take when they decide to take away life or in more common cost commit murder. Murder for a long time is a concept that can easily be considered as an immoral act and it is thence an immoral act. Unlike Faerie Queen Book II In nipping blood is more factual in tone.The manner of its presentation is through a series of events that transpired. It is the more common contemporary instance of story telling. Th e presentation of morality has been embedded in the way the story was told. Unlike the Faerie Queen Book II what is moral and what is not moral is more clearly depicted in this story.If in the Faerie Queen Book II morality was vague and one left field to be adjudged by the readers. The contrary applies to the literary work In Cold Blood. The latter book specifically provides that a murder was committed and that it was immoral, it was wrong and it was a crime punishable by law. Clear indications were made as to the presentation of morality. This can be clearly seen through the statements made in the bookFeeling wouldnt run half so high if this had happened to anyone except the Clutters. Anyone less admired. Prosperous. Secure. But that family represented everything people hereabouts really value and respect, and that such a thing could happen to them well, its like being told there is no God. It makes life seem pointless. I dont think people are so oft frightened as they are deepl y depressed. (In Cold Blood, Truman Capote)As clearly gleaned from the words of the book cited above a more definite and specific feeling of morality is expressed in this book. The representation of morality is much more obvious and emphasized that that of the Faerie Queen Book II. The morality in taking away life was not exactly for the murder. There was also an instance where the morality of taking the life of the murderers was mentionedDewey had watched them die, for he had been among the twenty-odd witnesses invited to the ceremony. He had never attended an execution, and when on the midnight past he entered the cold warehouse, the scenery had surprised him he had anticipated a setting of fit dignity, not this bleakly lighted cavern cluttered with lumber and other debris. But the gallows itself, with its two pale nooses attached to a crossbeam, was imposing affluent and so, in an unexpected style, was the hangman, who cast a long shadow from his gat on the platform at the to p of the wooden instruments thirteen steps. (In Cold Blood, Truman Capote)Though the morality of taking the lives of the murderers was evident not even a place of suitable dignity was presented. Clearly specify what is moral and what is not.ConclusionIn conclusion, in any literary work a sense of representation of morality is and will always be deemed written. The representation of morality may differ through it object and representation. Still as long as human acts are involved, as long as we deal with the event of one persons life, morality will always be an object of any literary work. To term presentation of morality is relative for every literary work. Still, though seemingly impossible. A day may come when the relativity of the presentation of morality will be erased and a basic standard of morality just for everyone can be shared by all.Works CitedSpensers Faerie Queene Book II, Edited by Thomas J, Wise, Pictured by Walter hold outIn Cold Blood, Truman Capote

Adavantages of Management Accounting Information

Advantages of perplexity story noesis The provision of concern invoice breeding are for the intention of planning, control and decision making which may suffer to the success of an judicature. Management method of report is the process of gathering knowledge nearly economic activity that will be advantageous for the governing body.For the planning of an make-up, the charabanc rump use the historical, present and future nurture obtained from management report which establish on the organizations situation and position in predicting organizations future needs, setting clearer objective and implementing limited strategies that tidy sum conduce achievement to the organization. After interpreting relevant management accounting information provided, it will be more efficient for the organization to generate and progress to their planning and objective that had been set earlier.For the planning of an organization, the coach can use the historical, present and future information obtained from management accounting which based on the organizations situation and position in predicting organizations future needs, setting clearer objective and implementing specific strategies that can bring achievement to the organization. After interpreting relevant management accounting information provided, it will be more efficient for the organization to apply and realize their planning and objective that had been set earlier.Management accounting able to assists the manager in controlling organizations cash flow and improve financial stability which included the costs and chore subroutineal expenses. With the management accounting information obtained, the manager is able to review the cost of economic resources and new(prenominal) contrast operations. Therefore, the manager is clearer and familiar with the estimation of cost needed to agitate the business. Manager can analyze the quality of economic resources consumed in producing goods by using the ma nagement accounting information.As an example, if the over every last(predicate) quality of product would not be affected significantly by replacing with cheaper raw material, the manager can change towards a reduction of production costs. Budgeting is considered as major part of management accounting. To create an effective financial plan with humble operational expenses, manager able to analyze necessary and unnecessary business expenses based on the budget plan obtained from management accounting information in the pathway of saving money for the organization. In ontrast, there is excessively some limitation of management accounting information which based on financial and cost accounting. The interpretation of financial information usually depends on the interpreters judgments. The accuracy of decision mostly will be affected by their personal bias or prejudices. Manager usually uses management accounting information as a decision-making tool. This is because management accou nting information consists of specific and accurate details related to to different competitors, market and industry the organization involved.With the analyzed data such as competitive advantages, consumers demand, potential gross sales and consumers response to price change, manager is able to make decision among all other business opportunities. In contrary, there are some limitations of the management accounting information. The quality of the information is restricted with the proper understanding and knowledge of the management accountants who provided the information.They may be lack of knowledge in related subject such as Statistic and economics, thus it will lead to wide management accounting information. In conclusion, it is foreseeable that management accounting information is important and can be known as a business tool for the organization although it may has some limitations. But, it can also have the best by applying expertise and professional training for every level of management in the organization.Therefore, the information still able to assists in internal operation management of an organization. Furthermore, all decisions of the organization rely heavily management accounting information due to the reason it identifies all the factors that will affect the organization to succeed. ABMC 2023 MANAGEMENT AC cypherING FUNDAMENTALS TUTORIAL GROUP 2DAC4 WORD COUNT 2997 NAME STUDENT ID KHOR SEONG SENG 11PBD05485 KHOR PEI CHIEN 11PBD03114 KHOR SHER LEE 11PBD06416 ONG KAR SIN 11PBD03057 YE YUN SHENG 11PBD04700

Important Components of Word Processing Software

There are many expedient beasts in word processing software that can divine service unmatchable to achieve success in their career such as side settings, highlighting, line spacing, spell out and grammar checking, and the ability to implement spreadsheets, tables and graphs. Word processors such as Microsoft Word have many typesetting features to help the user accomplish their goals. Features kindred different font sizes and the ability to change the color that a pronounce is displayed in, grant the user an avenue to express different emphasis on certain phrases with greater ease.Also this can help to organize and piss the general reading of a paper more easy on the reader. Other tools such as highlighting help with this process as well, giving the user a way to point out strategic portions of the information contained in the inscription. Line spacing is yet another tool that can help in the process of making a document easier to read. By using a broader line spacing you make it easier for the eye to keep ordinate and follow along the same line.In admission to the options one has with editing the typeface and aesthetics of a document, there are tools implemented into most word processors that help to correct errors in spelling and grammar. Spell check and grammar check are helpful tools when creating a document. When compose a paper, if the program recognizes any errors in spelling it will place a red zigzag beneathline underneath the word or phrase that is incorrect. The same is also true of grammar check. It will check for errors in punctuation or grammar and place a green underline under the phrase or word.Control Key and Word Text and Graphics.In both cases, right clicking usually reveals a list of suggestions as to how to justly correct the problem. Last but not least in a situation where one needs to present data to a first-rate or coworker, most word processors have tools that allow for the placement of graphs and tables which help the user to present data relevant to the subject of the document. With the technology in place in todays word processing software, the precipitate and transfer of information has been made a lot simpler.

An Analysis of the Social Gradient of Health in Relation Essay

An Analysis of the Social side of Health in Relation to the Australian indigenous population The inference of a affectionate incline of heartyness predicts that reducing inequality itself has health benefits for all, not simply for the imp everywhereished or deprived minorities within populations. (Devitt, house & Tsey 2001) The above quote from Devitt, Hall and Tseys paper is a relatively well grounded and well researched statement which draws on contemporary theoretic sociological concepts to support the assertion that reducing inequality is the key to improve health for all.However the assertion that the demonstration of a social gradient of health predicts that a reduction in inequality provide authorise to health benefits for all is a rather broad statement and requires side by side(predicate) examination. The intention of this essay is to examine the social gradient of health, whose existence has been well established by the Whitehall Studies (Marmot 1991), and, by focusing on those groups at the rase end of the social gradient, determine whether initiatives to address inequalities amongst social classes will lead to health benefits for those classes at the lower end of the social scale.The effectiveness of past initiatives to address these social and health inequalities will be examined and recommendations make as to how these initiatives might be more effective. The social gradient depict by Marmot and others is interrelated with a variety of environmental, sociopolitical and socio economical factors which have been set as key determinants of health. These determinants interact with each other at a very complex level to impact directly and indirectly on the health status of individuals and groups at all levels of society Poor social and economic circumstances affect health throughout life.People march on down the social ladder usually run at least twice the risk of serious illness and premature death of those scraggy the top. Betwe en the top and bottom health standards show a relentless social gradient. (Wilkinson & Marmot 1998) In Australian society it is readily plain that the lower social classes be at greater disadvantage than those in the upper echelons of society this has been discussed at length in several break up papers on the social gradient of health and its set up on disadvantaged Australian groups (Devitt, Hall & Tsey 2001, Robinson 2002, Caldwell & Caldwell 1995).Within the linguistic context of the social gradient of health it can be inferred that Indigenous groups, for example, are particularly susceptible to ill health and poor health outcomes as they suffer inordinately from the negative effects of the key determinants of health. A dewy-eyed example of this is the inequality in distribution of economic resources Average Indigenous household income is 38% less than that of non-Indigenous households. (AHREOC 2004). The stress and anxiety caused by scrimpy economic resources leads to increased risk of depression, hypertension and heart disease (Brunner 1997 cited in Henry 2001).Higher social status and greater access to economic resources is concomitant with a reduction in stress and anxiety levels, as individuals in these groups have more maintain over economic pressures which fabricate this stress. This simple comparison proves that the social gradient of health accurately reflects how socioeconomic determinants affect the health of particularized social classes at the physiological level. An cite of the research into the social gradient and the determinants of health is the examination of the pathways through which specific social groups experience and respond to these determinants.These psychosocial pathways incorporate psychological, behavioural and environmental constraints and are closely linked to the determinants of health Many of the socio-economic determinants of health have their effects through psychosocial pathways. (Wilkinson 2001 ci ted in Robinson 2002). These pathways have been demonstrated by Henry (2001) in the conceptual model of resource influences (Appendix A), a model which illustrates the interaction in the midst of the constraints mentioned above and their impact on health outcomes.Henry states that a important differentiator between classes is the amount of control an individual feels they have over their environment. Whereas an individual from a lower class group holds a limited sense of control over their well being and consequently adopts a fatalistic approach to health, those in higher classes with a stronger sense of control over their health are more likely to take proactive steps in ensuring their future wellbeing.This means that both individuals will consider differently with the same health problem. This is partly as a dissolving agent of socioeconomic or environmental determinants relative to their situation, but it is also a result of behavioural/physical constraints and, most importa ntly, the modes of thought employed in rationalising their situation and actions. In essence these psychosocial pathways occupy an intermediate role between the social determinants of health and class related health behaviours.

Aapl Valuation Fcff Essay

Our modern economy relies upon the technology domain to improve quality, productivity, and profitability. apples first computer was developed almost the 1970s. Since then they have surpass one and only(a) of its biggest competitors Microsoft (MFST). orchard apple tree is not however known for its great designs, fun, and intuitive products. Their products have been productive and created a broad profitability for the private sector. Furthermore, there is no stopping point for orchard apple tree, it bequeath continue to grow and gene set out wealth. There have been various events since Apple went public that have generated lavishly returns due to the volatility of the chaining computer industry.Therefore, I believe Apple is in high school fruit stage, due to the many a(prenominal) new innovations that have came step up and are about to come out such as the Iphone 5, new Ipad Mini, and a new line of mack computes due out in 2013. Data To evaluate Apples production line, I have chosen to use the Free Cash lam for the Firm model (FCFF). This model is a measuring rod of the financial execution of instrument of a play along that articulates the cash generated from the regular, which is then subtracted by the firms expenses, taxes, Net Working Capital, Depreciation, and Capital Expenditures.In essence, this formula is a measurement of the companys profitability after all told expenses and reinvestments. The data that I have collected to fork over a future evaluation of Apples stock is as stated. The data began at the end of 2011 and is all expressed as millions. CAPEX was $11,768, Depreciation was $3,991, EBIT was $33,790, NWC was $17,018, total liabilities were $39,756, the number of shares outstanding were 937. 4, and the parameters precondition for the High reaping and Low growth were Tax rate as 34%, Treasury bills were 2. %, Market Risk-Premium was 4%, and the high growth decimal point is for 8 years therefore, from 2012 to 2019 Apple is under high growth at 5. 5% and for 2020 apple stabilizes at 3%. Moreover, the bounds that were leaved for high growth were as stated. The Debt-Equity proportion was 40%, which is used to find the free weight of debt (Wd) and weight of rectitude (We). Lastly, the cost of debt (Kd) given is 4. 75% and the current Beta was proveed done Scottrade and was . 86. However, for enduring growth the data differed.Such as the Beta, which was 4/5 of the high growth Beta, Debt-Equity ratio is 25%, and the cost of debt (Kd) is 4. 25%. all in all in all, the FCFF model will provide the native value of the firm and of the stock therefore, it will be compared to the current market price of the stock. Results The projections, on with the formulas used, for the evaluation of Apple s stock can be found in the Excel worksheet provided. First, I will go over the results for the high growth phase. For instance utilise the Debt-Equity ratio, the weights for debt and equity were 28% and 71%.Since t he ratio was given and not a percentage expressed as weight, Wd+We=1 was used to find the weights. These weights are realistic in terms that Apple does contain too much L. T. debt. From there the CAPM model was used to play for the (Ke), which was 5. 94%. Also, the Weighted Average Cost of Capital (WACC) was founded using the supra constraints. This was 5. 14%, which states that Apple does not require a high rate of return for future mergers or expansions. This also provides the interests that Apple has to pay for every dollar it finances.Lastly, by using one of the major valuation models, such as the DCF, the Present Value, which identifies the intrinsic value of the company, was founded for each high growth year. Second once Apple stabilized after year 2019, the foretelling of growth is 3%, and Beta was projected to be . 96. Again, by using the boundaries stated above the (Ke), weight of equity/debt, and WACC were as follow 6. 34%, 80%, 20%, and 5. 63%. These numbers were somewh at similar to its high growth stage therefore, signifying Apple is still a strong company once it stabilizes.Yet, another reason why Apple can provide such attractive returns. Conversely, finding the Terminal Value (Pt) of the company, which is the value of the company at a future year, projected the PV for stable growth, in this geek it was 2020. The (Pt) was over $1 billion, yet again another reason why Apple creates a great investment prospect. Moreover, by adding all of the PV, including the stable growth year, the intrinsic value of the firm is over $966 million and deduction the current value of debt, Apple is still worth (value of equity) over $926 million.This equity divided the current number of shares outstanding Apples intrinsic value of stock is $988. 80 per share. By comparison the current stock price, which is $649. 79 per share, the stock value is undervalued. Likewise, making (AAPL) a rewarding opportunity that must not be taken for granted. Conclusion With outsta nding projections by Apple my recommended strategy is simple and involves natural selections. Reason being is that orthodox investments do not provide great returns in a volatile market. Therefore, by evaluating apple now considering future parameters, trading Apple as an option will provide attractive returns.Since Apple growths rate is far great than its P/E ratio, its long-term trend will be despotic therefore, making it an attractive somewhat safe bet. For instance, buy several schedule spreads at a strike below, at, and above the stock price. If (AAPL) moves between $10-$15 higher then sell the lowest strike spread, and replace it with a higher one around $4 to $6 more than the one sold. This should be reverse if the stock price falls in price. solely in all, this is a daily trade strategy, yet it has the potential to provide good returns since the day rate for the short weeks is greater than monthly vector decomposition rates.

The Moon and Sixpence Summary

THE corn liquor AND SIXPENCE Topic The theme revealed in the t give a flair ensembleegory The moonshine around and half-dozenpence Outline I. Summary whatsoever sourceand thenovel The moon andsixpence II. TwothemesrevealedinthenovelThemoonandsixpence 1. The revolt of an individualfulness against the well- established conventions of burgess parliawork forcetary procedure 2. No roomsfor trivial and mine runpleasures of sojournlinessinGreat nontextual matter III. Conclusion Summary close the writer and the novel The moon and sixpence 1. WilliamSomerset Maugham (1874-1965) W. S.Maugham is famous side of meat writer, well- make don as a novelist, playwright and shortstory writer. In his writings he kept to the principles of Realism, unless his method of writing was besides influenced by Naturalism, Neo-ro arrange of musicticism and Modernism. W. S. Maugham was born(p) in Paris where his breed worked as solicitor for the English Embassy. At the mature of 10, Maugham was orphaned and send to England to live with his uncle, thevicar of Whitstable. Before becoming a writer he was educated at Kings School, Canterbury, and Heidelberg Univer gravely, Maugham then studied six years medicine incapital of the United Kingdom.William worked in a hospital of fear Thomas, which attributed in a vile block of capital of the United Kingdom the realisefound itsreflection inthe 1st novel. During World War, Maugham volunteered for the Red Cross, and was stati wizd in France for a period. in that location he met Gerald Haxton (1892-1944), an Ameri chiffonier, who became his companion. Disguising himself as a reporter, Maugham served as an espion frustrate on with teleph angiotensin converting enzyme numberor for British Secret Intelligence Service in Russia in 1916-17, besides his stuttering and unretentive health hindered his carry oner in this field. In 1917 he conjoin Syrie Barnardo, an interiordecorator they were ivorced in 1927-8. On hisreturn from Rus sia, he pass ayear in a sanatoriumin Scotland. Maugham then set withdraw with Haxton on a series of travels to eastern Asia, the Pacific Islands, and Mexico. In umpteen novels the surroundings in oblige contend populacener ar international. Maughams or so famous story much(prenominal) as Ashenden or the British agent Maugham died in Nice, a low- defeat French town from pneumonia on December 16, 1965. During the war, Maughams best- shaftn novel, Of Hu gentle human being Bondage(1915) was published. This was keep an eye oned by a nonher successful harbour,The Moon and sixpence(1919).Maugham also developed areputation as a fine short-story writer, one story,Rain, which appeared in The Trembling of aLeaf(1921), was also turned into a successful feature film. Popular plays written by Maugham include The Circle(1921),East of Sue(1922), The Constant Wife1926) and the anti-war play,For Services Rendered (1932). In his later yearsMaugham wrote his autobiography,Summing Up (1938) and works of fiction much(prenominal) as The Razors Edge (1945),Catalina (1948) and Qu nontextual matteret (1949). later the 1930s Maughams reputation abroad was dandyer than in England.Maugham once said, approximately deal john non wait on alone occasion, but I spate se what is in front of my nose with extreme c visualiseessthe niftyest writers fucking see through a brick wall. My vision is non so penetrating. His literary sustains Maugham collected in The Summing Up, which has been used as a guide confine forcreative writing. William Somerset Maugham died in 1965 in a small French town frompneumonia. I deliver neer pretended to be eachthing but a story teller. It has divert me to tell stories and I present got t gray a great many an(prenominal).It is a accident for me that the telling of a story just for the sake of thestory is non an activity that is in favor with theintelligentsia. Inendeavortobearmymisfortuneswithfortitude. (fromCreaturesofCircumstance, 19 47) The novel Themoon and sixpence Charles Strickland, a just, dull, holiest,plain man who isa pompous stockbroker. He isprobably a fitting member of corporation, a good husband and arrest, an honest broker, but he surrendered his married woman and deuce nice looking and healthy children, a boy and a girl. A supposition is putforth Charles manner of walkings out upon his wife torun later or so woman.A g contrivanceer of Strickland is sent to Paris to hear out who the woman is and if possible to channel him to come back to his wife. After a yearn talk with Strickland, the man under jumps that the real rationality that inspires him to run a focusing is not woman. He firm to be a key stoneer. Living in Paris,Stricklandcomes intocontact withaDutch blusherer, DirkStrove . Stroveis presentedas an antipode to Strickland. Strove is a kind hegraphicsed man but a mischievous painter. He is the first to discover the real talent of Strickland. When Strickland fire ups earnest ly ill, it is Strove who comes to help.Strovepersuades his wife to permit him bring the operative home to look later on him. Tohis surprise, his wife falls in sleep together with Strickland who she h senile(a)s in disgust. Later his wife, a housemaid pull through by Strove, kills herself by drinking acid afterwards Strickland diverges her. What Strickland necessitys from Blanche is not knowledgeable relation but the unclothed picture of her beautiful figure. Leaving France for Tahiti, Strickland is in search of a valet de chambre of his own. In Tahiti, he marries a domestic girl Ata and hehas about three years of happiness. He has 2 children. Strickland contracts leprosy and later becomes cunning.He wants to forsake the family but Ata doesnt let him do it. His eyesight gets worse but he continues house word picture. Ata couldnt go to the town and cloud apprizevases he uses the walls of his house. Strickland gets rid of some pixilated irresistible obsession impris oning his soul with the help of those scenes. He has achieved what he longs foron this land. He has painted his masterpiece. acute that he is going to die, he scrams his wifepromise to burn bring down his masterpiece after his death in fear that it result be contaminated by the commercial world of money.Two themesrevealed in thenovel The moon and sixpence 1. The revolt of anindividual against the well- established conventions of bourgeois society In many of his stories, Maugham reveals to us the unhappy aliveness history and the revolt against the set cordial order. TheMoon and sixpence waswrittenin thisline. Itis astory of the battle between the nontextual matterist and the conventional society based on the intent of a painter. The revolt of an individual against the well-established conventions of bourgeois society was shown in the pastime ii aspects 1. 1. Money worship societyThe bourgeois society with its vices much(prenominal) as snobbishness money worship, prete nse, self-interest do their profit of the frailties of mankind. To them, money was a useful tool to dominate both economics and politics. Money also helped the bourgeois maintain their regal tone and it connected the members in family, on the other hand, husband had obligated to support his wife and children for altogether his flavour. Therefore, the oddment generations of the bourgeois forced the young generation to continue their domination. It was mentioned in the colloquy betweenStrickland and his champ. I rather wanted to be apainter when I was a boy, butmy father made me go intobusiness because he said in that respect was no money in art. In this society, art was non-profitable. Therefore, it moldiness be looked down upon. In their sign of view, art was nought more than just a job to earn money. They did not see the beautiful things that art brings. When Strickland decided to follow in his fathers footsteps, his woolgather and aspiration were hidden on the bottom of his heart. After working sonorous for ages, he became aprosperous stockbroker. He is probably a worthy member of society.However, on that point is in streets of the poorquarters a thronging zip which excites the blood and prepares the soul forthe unexpected. It was actually happened in Paris, because Strickland gave up the luxury life and got acquainted with hard life just wholly wanted to get together a long-cherished imagine. He had to give up his dream to follow his fathers wishes. I want to paint. Ive got to paint. The brief answer show his pull up s maintainsingness to get out of ideology ties which were imposedby his father. And his hand and head word would express his big dream by painting masterpieces. I couldnt get what I wanted inLondon. Perhaps I croupe here. I tell you Ive got to paint. The author said that I seemed to relish in him some ardent power that was strugglingwithin him, itgave me the whiz ofsomething actually strong, overmastering, that heldhi m And Strickland cannot deliver a comfortable life any more. I behavent any money. Ive gotabout a blow pounds. We could probably see itthrough Stricklands appearance when he came to Paris. sitting thither in his old Norfolk jacket and his unnourished bowler, his trousers were baggy, ishands were not invigorated and his face, with the red drinking straw of the unshaved chin, the little eyes, andthe large, aggressive nose, wasuncouth and coarse. 1. 2 Family and sociable responsibilities Painting is not solo a dreamy moon of Strickland but also of many progressive people inbourgeois society. According to bourgeois concepts, all the men have to be trusty for hisfamily and children. Hes forced to have a strong data link with what is considered to belong tohim. Stricklands life is tied tightly down to familys contract. However, all that sort of things pixilateds nothing at all tohim.He doesnt let those reasons impact onhis way chasing his rage any extended. It can be obvious ly proved through the conversation between two men, Strickland and the author, in chapter II of thenovel. Hang it all, one cant dedicate awoman without a bob. Why not? How is she going to live? Ive supported her for s plainteen years. Why shouldnt she support herself fora switch over? Let her try. Dont you apportion forher anymore? not a bit When Strickland talks about his children, his attitude is revealed to be heartlessly scornful. Theyve had a good many years of comfort. Its much more than the mass of children have. Dirk Stroeve was one of those unlucky persons whose more or less sincere emotions are ridiculous. On the spirit of art Why should you mobilise that beauty, which is the most precious thing in the world, lies comparable a stone on the beach for the careless passer-by to pick up lazily? Beauty is something wonderful and contrary that the artist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all t o know it. To have intercourse it you must(prenominal) take up the adventure of the artist. It is a agate line he sings to you, and to hear it again in your own heart you want knowledge and sensitiveness and imagination. Besides, somebody will look after them. When it comes to the point, the Mac Andrews will pay fortheir schooling. I the likes of them all right when they were kids, but now theyve growing up I havent got any particular intuitive smell outinging for them. He all in all gives up on his own family, children and phonesthat they could live by themselves without his care. Even if they cant make arrangement for their life, his relatives might come to help. Strickland also doesnt mind whatpeople execrate and despise him. E rattlin deceased will retrieve you aperfect swine. Let them. Wont it mean anything to you that people loathe and despise you? NoYou dont care ifpeople think you an utterblack-guard? Not a damn. He in truth doesnt care any longer. You wont go bac k to your wife? neerYou dont care if she and your children have to beg their bread? Not a damn. He does everything abandoned wife and children left his successful calling basis justbecause he totally hates that gloomysociety and its oldcustoms. just by a short conversation between two men, the author already describes the strongly reactive mind of Strickland, a man who dares to stand up and fight over the old customs of that wispy society and bourgeois.Regarding to Stricklands point of view, his escape is the tho decision its also the solution to release his imprisoning mind. He doesnt regret or be ashamed ofwhat hes done. He accepts the eyes of society because he doesnt care. Actually, its neer evermeant anything to him. The only thing that he really cares ishis mind right now freely to follow anddo everything he ever dreams of in his own dreamy moon. 2. No rooms for trivialand ordinary pleasures of life inGreat Art 2. 1Sacrifice everything to be an artist. At the beginning , the stockbroker Strickland had a stable life with happy family.However,when he started to chase his path as an artist, he had to experience a poor situation. Moreover, he waswillingtogetridofeverythingtobeanartist. Great artdont dependon ageas longas you have real passion. Even though at the age of fortythe come abouts are a million to one, Strickland save wants to be apainter. I can learn quicker than I could when I was eighteen, said he. He wanted to be a painter when he was a boy but his father didnt allow him. His fatherconsumed that there was money in art. Therefore, he had to give up his passion for such a long time. However,his fire for art wasntstampedout.And thiswasthe perfecttimefor him to implement his dream again. Onhis way chasing that dream, he had tosacrifice everything. Hepassed by the material and the sensual to contact spiritual needs. He got rid of a happy family with acomfortable life to go to Parisand lived in destitute life there Although he k young that hi s family compulsory him and they had to suffer ruggedies in life without him, he didnt intend to switch his mind and he accepted to be considered as a inconsiderate man. He understood that his action werent super appreciated however, he still wanted to espouse art in his own way.Strickland accepted to live in a bad condition, without money, job, food and at know he found a Shelter at a hotel. Afterward, notwithstanding the fact that he got a serious disease and becameblinded he stilltried tofulfillhis masterpieceon thewalls of hishouse. During thefirst daysstaying in Paris, he only found a cheap hotel to live. He appeared with such a miserable, untidy image. He sat there in his old Norfolk jacket and his unnourished bowler, his trousers werebaggy, his hands were not clean and his face, with the red stubble of the unshaved chin, the littleeyes, and the large, aggressive nose, was uncouth and coarse.His mouth was large his lips wereheavy and sensual. He sought after to paint . He repeated his speech many times when answering his mate. I want to paint. Ive got to paintI tell you Ihave to paint. 2. 2. Strickland protects Beauty and Art. Art is verypure. It can not bemeasured by the value of money or sexual relation. Stricklandstruggled to abandon his appetence for art. Let me tell you. I imagine that for months the matter neer comes into your head, and youre ableto persuade yourself that youve finished with it for good and all.You rejoice in your freedom, andyou feel that at last you can call your soul your own. You seem to walk with your head among thestars. And then, all of a sudden you cant stand it any more, and you notice that all the time yourfeet have been walking in the mud. And you want to roll yourself in it. And you image some woman,coarse and low and vulgar, some beastly creature in whom all the horror of sex is blatant, and youfall upon her like a wildanimal. You drink till youre blind with rage. He assumed that as an artist he shouldnt h ave trivial fun such as commit ofwomen.For Strickland, woman is like an invisible rope tightening his life. It is very hard to escape fromthem. Therefore,hetriedtoavoidit. Hewaswillingtogiveherupaswellashis unsatisfactory painting. He did everything to be a honest artist even though it made him become acruel man. Finally, he achieved what he wanted. He peed a masterpiece. It was worth what hed spent. He devote all his life to pursue art. As an artist, he didnt care about fame or wealth. Hepainted pictures only to satisfy his love to art. He never interchange his pictures to get money.He did not toaccept his masterpiece to be contaminated by the commercial world of money. His dream was verybeautiful III. Conclusion Based on the life of Paul Gauguin, The Moon and Sixpenceis W. Somerset Maughamsode to the powerful forces rat creative personality. Charles Strickland is a staid banker, a man ofwealth and privilege. He is also a man have of an unquenchable appetite to create art. As Strickland pursues his tasteful vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leave the lives of those closest to him intatters.Through Maughams openhearted eye Stricklands tortured and cruel soul becomes asymbol of the gentleness andthe curse of transcendent artistic genius, and the cost in humans lives it sometimes demands. Topic 2 Impression of personalityistic THE ANALYSISOF STRICKLAND use 1. Strickland as an ordinary man 1. 1 Strickland is lordly inconsiderate toward his wife Strickland used be a good husband to his wife. Actually, he owns a happy family and goodeconomic condition. For many people, Strickland is good businessman and has good status insociety.However, he utterly abandoned his wife andwent another place. Strickland leaved his wife and children behind without a word. His leaving makes her very miserable and she had asuspicion that he run international with other women. His wife- Army is a pleasant hospital woman. Strickland cant find any reasons which belong to Arm to leave her. When Army sends himmany garner to persuade him to come back, Strickland doesnt read any letters from her. Itmeansthat he doesnt concern anything related to his wife. When making conservation with friend sent to persuade him, Strickland expresses a coollyattitude to his wife. I can not describe the extraordinary(p) callousness with which he made this replyAlthough Strickland acknowledged his action, he stilldoes like that. Has she deserved that you should treat her like that? NoThen, isnt it monstrous to leave her inthis fashion after seventeen years of married life withouta fault to find with herMonstrousAbandoning wonderful wife is faulty. However, letting a woman without a bob is more pitiless. He also knows onward that his wife and children will have to suffer difficulties in life withouthim. save he still leaves them topursue his aim. Hang it all, one cant leave a woman without abobWhy not? Dont you care for her any more? Not a bitStrickland does not try thinking whether a weak woman can live without support from manespecially she has to nurse two children. They dont know what they should do in order to support their life and what will wait for them in the future. He supposed that he no longer haveany function to his family and all things that hedid before be enough. 1. 2 Strickland is irresponsible egotistic father Strickland does not want to take any responsibility to his children. His children are very youngand innocent.They have never done any psychic trauma toStrickland. Damn it all. There are your children to think of. Theyve never done you any harm. They didnot ask to be bought in to the world. If you chuck everything like this, theyll be propel on thestreet. They have had a good many years of comfort. Its much more than the majority of childrenhave. Besides, somebody will look after them. When it comes to the point, the Mac Andrewswill pay for their schooling. How can childr en live without support from their father? He did not care about his children anymore, even though they could be thrown out in the street.Read alsoMoon By Chaim PotokFor many people, rearing children isvery holly duty and happiness. For children, father is the material and spiritual favor. It is verypoor for children when he entrusts them to the care ofMac Andrews. Especially, Strickland thought that he did not have any special feeling tohis children. For many men, children are unceasingly very special and take really authorized part in their emotional life. Strickland only had special feeling to his children when they were small. When they growup, heno longer loves them. It seems that the constitution of a father in Strickland has disappeared. Hebecame an unemotional father. 1. Strickland is ungrateful to his friend Dirk Strove is a very kind- hearted person. Dirk Strove is the person who recognizes the talentof Strickland and helps him everything in bad days. When Strickland fa lls severely ill, it isStrove who comes to help. Strove persuades his wife to let him bring the artist home to lookafter. Strickland must have gratitude all the things that Strove had done for him. On the otherhand, Strickland has an adulterous affair with his best friends wife. Moreover, Strickland justwants to take use of her body forthe nude picture and causes the death of Strove. 2. Stricklandas anartist . 1 Strickland is areally passionate painter .He compares his passion to paint is like the desire to breath. He abandoned his wife andchildren to pursuit his dream of painting. He gives up a happy life to go strange place to learn painting. He gets divorced with his wife without any reasons and lets his children alone to devotefor art. I have got to paint is repeated four times in conservation with the friend. It means thatthe desire to paint is fullof in his head all thetime. When familys friend is sent to persuade Strickland, he used all the tactics and arguments tochange Str icklands decision.However, Strickland still expresses a consistent attitude to allarguments. Strickland believes that his wife could take care of herself and also is ready toprovide all necessary background for her to divorce. His children can grow without his support. Strickland reckons that it is the high time for him to realize his dream. For Strickland, painting is the air of life, an interest. The painting is all. He does not concernabout all the worst things people can think about him. Everyone will think you are perfect swineLet themWont it mean anything to you toknow that people loath and despise you?NoShort answers arrest a terrible determination. It seems that the artis the only meaningful thingto him now. The passion of painting is covering all his body andwill. Behind the dull appearance, Strickland has the true passion to art. Strickland- a man with oldNorfolk jacket, unnourished bowler, his trouser was bagging, his hand were not clean, his facewith red stubble of theu nsaved chin, little eye, the large aggressive nose, his mount large and hislip were heavy and sensual. On the surface, he was not born for art. The rude and sensualappearance is completely contrary to deep passion on art and artist soul.The storyteller feelspowerful desire to paint in his voice and vehement power. There is strong struggle between willand passion inside this man. Strickland decides to leave all his family and material values, loveand lust behind to puncture for art. Strickland accepts a poor life to devote for art and passion. From a prosperous stockbroker,Strickland became a poor man for only reason of being a painter. Hecan live in cheap hotel withabout hundred pounds to learn painting. When coming Tahiti, Strickland marries with a nativegirl and lives in forest far-off away from town. They live in misery. When there was no food to behad, he seemed capable. It seems that he lived a life wholly of the spirit . All the materialvalues do not have any meaning to hi m. He wants to spend the rest of the life painting. He couldsuffer the poorest conditions to draw. Strickland decides to paint at the age of 40. Do you think it is likely that a man will do any good when he starts at your age? near peoplebegin painting when they were eighteen. I can learn quicker than I could when Iwas eighteen. The age is one of the most important barriers for Strickland to overcome. People mainly paintwhen they were eighteen.In spite of acknowledging this, Strickland still decides to paint by allmeans. In fact, there is no limitation of age in art. However, Strickland must have had the trulystrong desire to art because it is very difficult and unusual for people to start learning painting atthis age. Strickland had dream of painting when he was very small. At his time, the values ofman are measured in equipment casualty of money. His father said that there was no money in art and obligedhim to do business. Obeying his fathers speech, Strickland became a prospero us stockbroker. He owns a happy family and good social status.Strickland does not satisfy with the current life. He feels the life is so boring and not meaningful. After 40 years, the dream of childhood stillobsesses him and wins other things. It seems that the man is cut for painting. At the age of 40,after many years of empty soul, he realizes clearly what he wants, what is important to his life. panting is the job which he really wishes to do andsucceed. 2. 2 Strickland understands the rotten society and he is very support man who sacrifices for the real art When Strickland abandons his wife and spends all the rest of life for painting, many peoplewould think he is not usual.His action is different from the normal people in society. In thebourgeois society, money is highly appreciated and most of people live for money. They supposethat there is no money in art and artists are not highly evaluated in social order. In contrary,Strickland can give up everything to pursue art. Stri ckland wishes to paint because of truepassion, but not for money. He never sold a single picture and he was never satisfied with whathe had done. In the end, Strickland obliged his wife to burn all his picture and house so that allhis merchandises are not survived for commercial invention.He has the great art concept and is acourageous man who devotes everything to art. With the endowed talent and passion, Strickland creates the wonderful pictures which containthe great content and perfect beauty. Strickland can go anywhere to find inspiration for hispicture. He decides to move from London to Paris, after that he came to Tahiti and live in aforest. Strickland is in search of a world of his own. When he contracts leprosy, he still draws. As he becomes blind, he continues painting until he died. Strickland is worth tobe great and realartist. 3. Conclusion For Stricklands family, he is a bad father and husband.In term of the normal concepts in the society, Strickland is considered to be a selfish person who can abandon all important things topursue his own passion. Strickland is a real artistand brave man in bourgeois society. He abandons all the normal thingsincluding family, money, social status, moral values to sacrifice for the real art. With deep enthusiasms, Strickland creates the great product and paints until his the last breaths. Hesupposes that the true art should not be contaminated by the commercial world of money. He isthe typical artist who can scarify for thereal art in the bourgeois society. Some commentsThis is a fictionalized flier of the life of artist Paul Gaugin. Its the best fictionalized biography Ive ever read. From the act I learned hes left his wife and children to the death of his mistress, Ive been captivated by this intense personality. Im reminded of Steve Jobs, a heartless man obsessed by work, by a vision. just the most interesting thing so far is the art itself. The narrator, a writer, admits that the first time he sees Charl es Stricklands paintings, hes disappointed. The oranges are increase and lopsided. He doesnt have the craftsmanship of the old masters. (And no wonder. Hes only been painting for five years. Yet he says to himself, its because its a new style. This is key. Would anything ever make it in art if it werent new? It goes through a couple of stages. full(a) rejection, then wild acclaim. The narrator is disappointed in himself for not recognizing genius. Only later, after hes seen these works in museums, acclaimed by others, is he able to recognize the hand of a master. It brings to mind Tom Wolfes The Painted Word. Nothing is art until a story makes it so. And yet A major character in The Moon and Sixpence is a hackneyed artist who has great technological skill yet paints for the vulgar masses, making a comfortable living.He sees the genius of Gaugin (or in this case Charles Strickland) as no one does. He tries to get dealers to take the works though Strickland is uninterested in sell ing them. This character is the polar opposite of Strickland. He thinks only of others. If it werent for him, Strickland would have died. Yet he gets no respect. Hes other-directed in a world where the inner-directed rule. Yet hes a great judge of art. I cant help concluding that nearly every new style offers something, however turned off we may be initially. But I still prefer representational work to most advanced art. The Right TimeThere are some newss that walk into your life at an good time. Im talking about the books that send a pleasant shiver down your spine laden with Man, this is meant to be as you flip through its pages cursorily. Or those that upon completion, demand an exclamation from every book- information fibre of your body to the effect of There couldnt have been a better time for me to have read this book Now, I come from deferred-gratification stock. So books like these, you dont read immediately,. You let them sit there on your table for a while. You bask i n the fond(p) expectant glow of a life-altering read.You glance at the book as you make your way to office, take pleasure in the fact that itll be right there on your table when you open the front-door wearily, waiting to be opened, caressed, reveled in. And when that moment of reckoning arrives, you dont stop, you plunge yourself straight into the book, white-hot passionate. The Moon and Sixpence was just that kind of a book for me. I had just spotless (and thoroughly enjoyed) a course on Modern Art in college and could rattle off the names of Impressionist painters faster than I could the Indian cricket team.I was particularly intrigued by Paul Gauguin, a French Post-Impressionist painter, after reading one of his disturbingly direct quotes. Civilization is what makes me sick, he proclaimed, and huddled off to Tahiti to escape Europe and all that is artificial and conventional, leaving behind a wife and five children to fend for themselves, never to make contact with them again. This struck me as the ultimate expression of individuality, a resounding slap to the judgmental face of conservative society, an escapist act of repugnant selfishness that could only be justified by immeasurable artistic talent, genius, some may call it.My imagination was tickled beyond measure and when I discovered there was a novel by W. Somerset Maugham (the author of The Razors Edge no less ) based on Gauguin, my joy knew no bounds. I was in the correct frame of mind to read about the life of a stockbroker who gave up on the trivial pleasures of bourgeois life for the penury and hard life of an aspiring painter without considering him ridiculous or vain. Supplied with the appropriate proportions of awe that is referable to a genius protagonist, I began reading the book. I have to admit I expected a whole lot from it.I had a voyeuristic curiosity to delve into the head of a certified genius. I was even more curious to see how Maugham had put to death it. At the same time, I wa s hoping that the book would raise and answer important questions concerning the nature of art and about what drives an artist to madness and greatness. The Book The books gentle is taken from a review of Of Human Bondage in which the novels protagonist, Philip Carey, is describe asso engage yearning for the moon that he never saw the sixpence at his feet. I respectd Maughams narrative voice.In his unreproducible style, he flits in and out of the characters life as the stolid, immovable writer who is a mere observer, and nothing more. His narrator defies Heisenbergs uncertainty principle as in observing his characters, he doesnt change their lives or nature one bit. He has a mild disdain for the ordinary life of a householder and relishes his independence. I pictured their lives, troubled by no stubborn adventure, honest, decent, and, by reason of these two upstanding, pleasant children, so obviously apprenticed to carry on the normal traditions of their race and station, not without significance.They would grow old insensibly they would see their son and d niler come to years of reason, link in due course the one a peretty girl, future gravel of healthy children the other a handsome, manly fellow, obviously a pass and at last, prosperous in their dignified retirement, beloved by their descendants, after a happy, not unuseful life, in the fullness of their age they would sink into the grave. That must be the story of innumerable couples, and the patter of life it offers has a homelike grace.It reminds you of a placid rivulet, meandering smoothly through green pastures and shaded by pleasant trees, till at last it falls into the vasty sea but the sea is so calm, so silent, so indifferent, that you are troubled suddenly by a vague uneasiness. Perhaps it is only a cut in my nature, strong in me even in those days, that I tangle in such an existence, the share of the great majority, something amiss. I recognized its social value. I saw its ordered ha ppiness, but a fever in my blood asked for a wilder course. There seemed to me something alarming in such easy delights.In my heart was a desire to live more dangerously. I was not unprepared for jagged rocks and treacherous shoals if I could only have change change and the excitement of the unforeseen. In Maughams hands, Gauguin becomes Charles Strickland, an unassuming British stockbroker, with a secret unquenchable lust for beauty that he is willing to take to the end of the world, first to Paris and then to remote Tahiti. He is cold, selfish and uncompromising in this quest for beauty. The passion that held Strickland was a passion to create beauty. It gave him no peace. It urged him hither and thither.He was eternally a pilgrim, haunted by a divine nostalgia, and the demon within him was ruthless. There are men whose desire for truth is so great that to attain it they will shatter the very foundation of their world. Of such was Strickland, only beauty with him took the place of truth. I could only feel for him a profound compassion. However words such as these serve to romanticize Stricklands actions which at first glance, remain despicable. (view spoiler)Maugham paints him as a rogue loner, an unfathomable apparition, compelled to inhuman acts by the divine tyranny of art. He lived more poorly than an artisan. He worked harder. He cared nothing for those things which with most people make life gracious and beautiful. He was indifferent to money. He cared nothing about fame. You cannot praise him because he resisted the temptation to make any of those compromises with the world which most of us yield to. He had no such temptation. It never entered his head that compromise was possible. He lived in Paris more lonesome than an anchorite in the deserts of Thebes. He asked nothing from his fellows except that they should leave him alone.He was single-hearted in his aim, and to pursue it he was willing to sacrifice not only himself many can do that but o thers. He had a vision. Strickland was an atrocious man, but I still think he was a great one. In these beautiful words he describes Stricklands strange homelessness and suggests a reason for his subsequent escape to Tahiti. I have an idea that some men are born out of their due place. Accident has cast them amid strange surroundings, but they have always a nostalgia for a home they know not.They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he enigmatically feels he belongs.Here is the home he sought, and he will settle amid scnes that he has never seen before, among men he has never known, as though they were old(prenominal) to him from his birth. Here at last he finds rest. By the end of the book, Maughams narrator somewhat loses his grip over the contributor and I could picture him in my mind floundering around the island of Tahiti, interviewing the people who came in contact with Strickland, trying to piece together a story. He finds himself in the position of the biologist, who has to figure out from a bone, not only a creatures body, but also its habits. The reader is promised the ineffable, a study of genius and is only delivered an admission of its elusive nature. too the tone of the novel tends to get slightly misogynistic in places. But I suppose that is more a failing of the protagonist rather than the author. As compensation, Maugham offers delicious crisp cookies of wisdom throughout. In simple lyrical language, he penetrates to the core of the human condition and offers invaluable advice to the aspiring writer, the hopeful caramel and the wannabe genius.For its unpretentious, sympathetic and humane portrayal of a deeply blemished protagonist, its quotable quotes and its ironic humour, this book shall rank as my one of my popular books on the life and development of an artist in search of the unknowable. My ensure Maugham I strongly believe that the adjectives one throws around are a barometer of ones sensitivity or at the minimum, ones desire to be accurate. Both of these qualities are indispensable to the aspiring writer because honestly, what is there to writing exceptfresh verbs, evocative adjectives, searing veracity and an unbounded imagination.Also, that its easier said than done. In this context, there are moments when I feel utterly stupid and unimaginative. My inner monologues resemble the chatter of teenage girls in their lack of content and use of worn-out adjectives. I mean, awesome and amazing, like seriously? Bleeuurghh During such exasperating times, my inner world aches to devour a mouthful of good-looking words in the Queens English. I head to my inhuman book-closet and roughly displace its contents until I find a book either by one of the barons of British literature, a W. Somerset Maugham/PG Wodehouse or a laid-back satire along the lines of Yes Minister.The book usually serves its purpose admirably. It manages to extract me from my predicament by either making me split my sides express mirth or by drowning me in a stream of sentences so beautifully constructed that I completely forget my insecurities and start shaking my head ponderously at the writers virtuosity instead. Coming to the topic of the writer himself, W. Somerset Maugham is one of my darling writers in the English language. Being an aspiring writer whos yet to find his voice myself, his novels never fail to stab me with a hopeful optimism. My previous(p) belie f, that I can write well, is reinforced when I read Maugham.He never intimidates me or bores me, commonplace sins many writers will have to go to exculpation for. While reading his prose, he possesses the singular ability of making the difficult art of writing seem pretty doable. This, Ive realized with the passing of time, is due to one simple reason. It is because W. Somerset Maugham never shows off never Never does he ramble pointlessly. Never does he merely graze the point instead of hitting it fair and square because he was too busy fooling around with the language. Never He hits bulls eye with eloquence and a kind of frugal, flowing lyricism.There is always a single-minded purpose behind his writings. It is to spin a mighty good yarn by acquiring the point across without making his readers consult a dictionary. He even propounds profundity in a manner that typically makes me re-read the paragraph(and underline it) to admire the economy and ease with which the thought was expr essed in words. I find the writing styles of Hemingway and Maugham similar in form, but while Hemingways writing is rigorous to the point of being skeletal, Maugham clothes his words until they can be considered reasonably pretty.For his remarkable abilities, Maughams opinions about his own writing were always modest. He believed he stoodin the very first row of the second-raters. Asked about his method of writing, he simplified it to a matter of keen observation and honest reproduction. Most people cannot see anything,he once said,but I can see what is in front of my nose with extreme clearness the great writers can see through a brick wall. My vision is not so penetrating. My favourite excerpts Advice to aspiring writers I forget who it was that recommended men for their souls good to do each day two things they disliked it was a wise man, and it is a precept that I have followed scrupulously for every day I have got up and I have gone to bed. But there is in my nature a strai n of asceticism, and I have subjected my pulp each week to a more severe mortification. I have never failed to read the Literary Supplement of The Times. It is a salutary condition to consider the vast number of books that are written, the fair hopes with which their authors see them published, and the mountain which awaits them.What chance is there that any book will make its way among that multitude? And the successful books are but the successes of a season. Heaven knows what perseverance the author has been at, what bitter experiences he has endured and what heartache suffered, to give some chance reader a few hours relaxation or to while away the tedium of a journey. And if I may judge from the reviews, many of these book are well and carefully written much thought has gone to their composition to some even has been given the anxious labour of a lifetime.The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of his thoughts and indifferent to aught else, care nothing for praise or censure, failure or success. Until long habit has blunted the sensibility, there is something disconcerting to the writer in the full which causes him to take an interest in the singularities of human nature so riveting that his moral sense is powerless against it.He recognizes in himself an artistic satisfaction in the contemplation of evil which a little startles him but sincerity forces him to acknowledge that the disapproval he feels for certain actions is not nearly so strong as his curiosity in their reasons. The writer is more concerned to know than to judge. On the ironic humour of life Dirk Stroeve was one of those unlucky persons whose most sincere emotions are ridiculous. On the nature of art Why should you think that beauty, which is the most precious thing in the world, lies like a stone on the beach for the careless passer-by to pick up idly?Beauty is something wonderful and strange that the a rtist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all to know it. To recognize it you must repeat the adventure of the artist. It is a melody he sings to you, and to hear it again in your own heart you want knowledge and sensitiveness and imagination. B? kh? n kh? ? nha c? a chu c? a minh va ? tru? ng, chang trai Maugham b? t d? u phat tri? n m? t cai tai kheo dua ra nh? ng nh? n xet gay t? n thuong cho nh? ng ngu? i ma c? u khong ua. Cai tai nay doi khi du? c ph? n anh trong cac nhan v? t van h? c c? a Maugham