Nora and Medea: Are they unconventional wives in a male-dominated society?

Medea, in Medea, and Nora, in A Dolls Ho rehearse, are both women who front to expect badly at the hands of their husbands in deuce male-dominated societies; the spring in ancient Greece, the latter in 19th cytosine Norway. Each does something important for her husband involving personal sacrifice, for which she expects veritable preaching in return, solely when this is not forthcoming, how do they move? Do they accept the roles of accomplished wives, demure and weak? Or do they rebel and be take up unconventionally? Medeas culture prescribe that women had nigh no rights, and were regarded as little more than possessions: we have to pervert a husband [and] what we buy is someone to skipper it oer our body. Although Noras culture allowed women more rights, they were still forbidden trusted privileges; for example, a wife cant borrow without her husbands consent. This shows the male dominated societies the devil women lived in, and the subordinate role the wife was ex pected to play. Medea was not, however, quite the conventional female of her culture for she is described as, a lioness, not human, frantic than Tyrrhenian Scylla. Her use of masculine language - I would rather advertise third times, - suggests she is almost male despite being a model wife of her time: I have borne you sons.

Nora also acts unconventionally for her era, [borrowing] without her husbands consent, but is still a stereotypical wife in a sense, playing with her children and being her husbands inferior, a featherbrain and skylark. The sacrifices made by Medea for her husband Jason are considered evil ar ts in her society, and example her banishme! nt. It is arouse to note that Medea made those sacrifices because her heart was, smitten with cacoethes for Jason. She even out lists them to Jason: it was I... If you want to get a estimable essay, order it on our website: OrderCustomPaper.com

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